But 24fps by itself will do nothing to make your video look like film. Not all cameras will give you the motion blur mentioned even at 24fps. Last edit: by joema. If you plan to distribute to a medium that can play true 24fps, and you really want the film look, then shoot everything on 24fps. I deliver to seveal different mediums at the same time almost daily. Television broadcast, digital signage, web VOD platforms, so 30fps is a happy medium for me, and many of my colleges. What folks are calling the broadcast look never heard that term before now is simply the natural look of digital video.
Much of what you view on traditional television is just that. But due to the many delivery methods to a TV set these days, not everything even broadcast TV looks like it used to. But again, if you are producing work that will be viewed by an audiece wathcing via a 24fps capable medium, then go for it.
Your choice. But some of us produce work for a paycheck and have bosses and clients dictating the variables that then dictate how we shoot and edit. It's all subjective, it all depends on your personal situation.
And the guy in your linked video misses a few facts and seems to be slanted in his argument. So, shoot 24fps, no law says you can't. Depends on what you want in your final output, and where it's going to be shown.
CubVideographer wrote:. How to resolve AdBlock issue? Refresh this page. Show Pilot Shot Entirely on iPhones. FiLMiC Pro 6. Page: 1. Ben Balser Offline Platinum Member bbalser. Well FCPX. When did iPhone XS's come out? I assume that yours is newer than mine.
There are a few things that I find clunky, but it seems like it will be a big improvement over the native Camera. Funny you should mention that Why is that? Everthing I have heard says 24FPS is "cinematic". Why do you shoot 4K? Doesn't that take up a huge amount of space? And why "Filmic Quality? I find it really annoying that they use cutesy name for this setting adn no call it what it is.
It took me a lot of reading to even figure out they were talking about "Bit Rate"?! I think my OP was vague, so let me clarify some things For Audio codec , why are you recommending AAC?
And why 40 hZ which seemslike a weird choose. I was told long ago that My concern is that various people online report that certain audio codecs don't play well with mostly Premier Pro, and so I am afraid videos will end up not being editable.
Here was one thread I see people talking about things like H. Do I do that in Filmic Pro? I have been told - and Filmic Pro also reports - that this can cause a loss of quality, so it is best to store things in Filmic Pro and then export from Filmic Pro to your Mac.
Using Filmic Pro and iTunes only take a few seconds to transfer things to my Mac I over-think everything!! Kind of like if you chose to shoot all of your photos in the lowest JPEG setting It will take me years to become an expert in things like FCPX or Premier Pro - which seems to be more advanced than FCPX, and things like color correction and what-not, but I still want to choose settings that will allow me to transition into advanced level video editing and video production, so I figured I should come here and check out my settings before I screw things up!
Does Filmic Pro have image stabilization? Which one should I be using? Interacting with dozens of strangers close up can't be safer than maintaining distance with a shotgun mic And, I highly doubt strangers would like me mic them up in normal times let alone now?! Either way, I bought a shotgun mic and when testing it this weekend it seemed like a big improvement.
Would have helped even more had I hit "record" on my H6!!! What do you do when you have a female subject with a tight t-shirt on?
Then it's not so easy Everything I have read and seen deals with the natural blur we see in motion, and 24FPS mimics real life This will all go on my website or on YouTube. One YT video I watched said to always shoot in 4K and Flimic Extreme because you can always reduce the quality and file size later on.
Is that true for FCPX? Or since I am targeting the web and YouTube is that not true? I think this was my main concern in my OP. That is not clear to me, and maybe I wouldn't be so confused if they would drop the marketing terms like "Filmic Extreme" and have a field called "Bit Rate", although it still isn't clear to me where you even choose the VIDEO codec if you even can?!
Is that was ACC is? So which ones should I be working with? And the point of the articles above was to show where people were complaining that if you don't choose the correct video and audio codec then you cannot edit both the video and audio in your shot material. I would be pretty pissed if I travel out of state, get some get interviews, and then get home to find out my video or audio is missing or needs a bunch of massaging so i can edit it in FCPX!!! The problem with exporting an H.
This will limit the results of any color grading or gradients in your project. I prefer to export ProRes ProRes in your case to take advantage of its bit depth and create a master file from which I can create whatever derivatives I need.
Having a high-quality master file means you can easily create H. Your email address will not be published. Access over 1, on-demand video editing courses.
Become a member of our Video Training Library today! March 16, at pm. Larry says:. March 17, at am. Sebastian: The problem with exporting an H. As for Vimeo, check their Help files and see which format they recommend.
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