The names of actress Sandra Prinsloo and director Lara Foot in the same sentence? Kamphoer which debuts in the Free State plays out against the backdrop of the South African War Anglo Boer War, — where Susan Nell is raped in the Winburg concentration camp and left for dead. She is found by a black couple who gently nurse her back to life and from there she travels to the Cape and finds her way to Europe where she is trained as a psychologist.
During World War 1, she works at a psychiatric institution in England where she crosses paths with one of her rapists, who is suffering from a post-war condition that was then labelled as shellshock. This year, , is the th anniversary of the South African War and the production is about honouring that devastating period. It is produced by Theatrerocket whose first solo production Die Reuk Van Appels starring Gideon Lombard and directed by Lara Bye was showered with awards for everyone involved.
The anticipation for this one is quite something — and it is perhaps with some gentle breathing that they welcome this Free State debut. But with much more laughter in mind, their other two productions offer much lighter fare with debuts at Innibos from June 26 to 29 before racing to the Free State Festival July 1 — 7. Die Sjokoladeshow is something Johan van der Merwe came up with while visiting the Drakensberg, eating chocolate fondue and thinking that they had never done a chocolate show.
It can absolutely be as random as that. In conversation with author Riana Scheepers, they decided to invite a clutch of writers to come up with some sketches which would be selected for a show — which after much whittling down was exactly what happened. They range from drama, to comedy, monologues, storytelling and two songs that celebrate the sweet- and sadness of love.
I wanted to work with themes of relationships between parents and children as well as men and women. I also wanted to explore the exile of the outsider because these are all issues that I believe are currently neglected. Talking about her team, she praises Meiring as the theatrical trooper.
A successful singer and performer, the stage is also his home, but this has a different slant. I think many of his admirers will be amazed at his performance. She also has high praise for her music man. His understanding of her needs was spot-on and his live soundtrack extraordinary without being overpowering in a theatre landscape.
He also performs with aplomb. For Gryffenberg, from putting together the text to ensure a dramatic arc, to the Johan Engelbrecht set to getting stuck into a stage production, was both tough and thrilling.
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