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Why is olive cotton famous? Was this information helpful? What is a pure play online retailer? How do you make your Christmas lights sparkle? Dupain and Hinder were part of an international movement of artists deployed to work in camouflage. What influenced Max dupain? Photo of Max Dupain taken by Geoffery Powell in During his early years as a photographer, Dupain was strongly influenced by many of these 'new' ideas from Europe and America, and during the s he began to experiment with rayographs, montaged imagery and surreal images.
What school did Max dupain go to? National Art School. What is Man Ray famous for? He was best known for his photography, and he was a renowned fashion and portrait photographer.
Leaving school in , Dupain was apprenticed to the photographer Cecil Bostock. His three years with Bostock gave him a rigorous technical training. In , with financial support from his family, he opened a modest studio with a shared darkroom at 24 Bond Street.
The timing was auspicious as Australia was recovering from the Depression and the demand for advertising, society, and celebrity photography was growing. Following his move to larger premises in the same building, he employed Geoffrey Powell —38 and Damien Parer — The photographer Olive Edith Cotton joined his studio in as the general assistant. By the late s Dupain was recognised as a leading modernist photographer whose work responded to the realities of contemporary life. He experimented with different techniques, including photomontage and solarisation, and developed a style characterised by a dramatic use of light.
Throughout his career his preferred medium was black and white photography. His subject matter was diverse, encompassing still lifes, landscapes, and cityscapes, and he was one of the first Australian photographers to focus on studies of the nude, both male and female.
Ure Smith would later publish the first monograph on Dupain in From the late s he played an important role as a commentator in photography magazines and later as photography critic for the Sydney Morning Herald. He was a founding member of the Contemporary Camera Groupe in , formed to counter the prevailing conservatism of Australian photography. His Romantic outlook was shaped by his self-declared heroes in literature, music, and the arts: Beethoven, Shakespeare, D.
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